the power of couleur


After weeks not wanting to write and look up stuff, I got from my dear friend B from Prague a link which totally hits my interest and I think with this input, I am finally again willing to write and share my interests with you guys.

 

The documentary is an unprecedented global journey to explore the frontiers of how we view couleur, make couleur and use the power of couleur to communicate meaning.

 Colour is a fundamental part of our world. Landscapes, animals, fashion, painting, movies, food – everything around us resonates with the language of colour. All our waking lives – and even in our dreams – we navigate our way through a world of colour. Yet, whoever we are, colour has the power to stop us in our tracks – and to make us wonder.

Part 1:

Why is the sky blue? Why do leaves turn yellow in autumn? And why does red play so powerful a role in so many cultures? Is colour real or is it just a construct of our brains?

Drawing on the latest scientific findings and technology, Cracking the Colour Code is a series for people who are seeking answers to many of the questions that relate to colour and who, at the same time, wish to enjoy the incredible diversity and sensation that colour has to offer in our world. While colour is a child of science and physics, it triggers within us a host of emotional, intuitive and intellectual responses – deeply rooted within ourselves and our culture.

Part 2:

The series is both food for the intellect and the senses – delivered as a carefully arranged and orchestrated feast, yet one that is playful and provocative.

Based on three years of extensive research, Cracking the Colour Code draws on a range of disciplines and leading experts – including physicists, neurologists, artists, ethnologists, colour consultants, historians, artisans and marketing executives – each in some way intimately concerned with the nature and power of colour. Each offers insights – even new discoveries – that will challenge our understanding of colour.

Part 3:

Thanks B., thanks a lot!

 

dance through a century

this video shows the audience in a fast way the changes of styles and dances of the last century of East London from  Sept 13th 1911 – Sept 13th 2011. Short nice fun.

“The film, directed by Jake Lunt with The Viral Factory, amazingly gives the run-down of 100 years of East London fashion, dance and music in just 100 seconds.”

one word: stunning

I watch this little short video several times and now it is time to share it here, cos it is totally worth it.

Shot and hand-colored – frame by frame – at the end of the 19th Century. A dance performance of pioneer modern dancer Loie Fuller. Still captivating today, but just imagine what it must have been like to watch an image move and transform like this in 1899! A beautiful example of the earliest cinematic ART.

Lumière Brothers – The Serpentine Dance (c.1899)

move, eat, learn

Andrew Lees, Tim White and Rick Mereki are the three guys who flew into 11 countries in 44 days and made these three beautiful short films. The films are based on a linear concept based on moving, learning and food.

Mmmmhhh… the short film makes you hungry and so exciting to eat some exotic food!

Great concept and it looks as if they had an amazing time or in their words “ a trip of a lifetime

beautiful facepainting

The video is about a wedding tradition in a village in Kosovo, Lubine e Ulet, where they paint the face of the bride on her wedding day, in order to prevent bad luck. This is a part of the  ” one day on earth”  project. . I love it and the whole concept is well thought through!

On October 10, 2010 (10.10.10), across the planet, documentary filmmakers, students, and inspired citizens recorded the human experience over a 24-hour period and contributed their voice to the largest participatory media event in history.

Founded in 2008, ONE DAY ON EARTH is creating an online community, shared archive, and film. Together, we are showcasing the amazing diversity, conflict, tragedy, and triumph that occur in one day.  One Day on Earth is a community that not only watches, but participates.


Founded in 2008, ONE DAY ON EARTH set out to explore our planet’s identity and challenges in an attempt to answer the question: Who are we?

 



couleurful paper sculpture and weaving typography




Zim & Zou is a french graphic design studio based in Nancy (France). Composed of Lucie Thomas and Thibault Zimmermann who studied graphic design, they’re now working together to offer their services. The studio proposes a contemporary approach of design thanks to a mix of different fields such as paper sculpture, installation, graphic design, illustration, webdesign… Their strength is working with paper as you can see in their series “Back to Basics”. Taking again traditional technology of the years 1980, their creations of an impressive quality are to be discovered in the continuation in a long selection like in video and further down I show you some more great work examples of their cool “weave” typography! of course I love their use of couleurd paper!

click on the image below to see the full alphabet.

go girls!

This experimental video is for the new collection of Yasar Spörndli & Laura Krauthausen, who are showing their final collection on friday at the fashion show of Kunsthochschule Berlin-Weissensee   ( you find the info in the post below). I really think they are the evolution of three other -now celebrated and famous- fashion designer from the school. Their signature is the draped loose form for the female body, with high end materials and a good eye for details and prints. I had the chance to already see some pieces and they use in a few garments some the yellow pony skin fur… rrrhhh nice!!! I wish you all the best and make the German fashion world a bit brighter and more sophisticated.

This is my dream

A fascinating documentary still in powerful images, has delivered the New York director and photographer Theo Stanley on fashion designer Yohji Yamamoto“This is my dream, “the title of the half-hour strip granted a rare glimpse into the working world of Japanese fashion designer, and examines the creative collaboration with Yamamoto’s sportswear giant Adidas.
For seven months, a film crew accompanied the 60-year-old in his creative efforts.The audience sees Yamamoto in the design of the summer 2010 collection for the label Y-3 and the preparations for the fashion show. Of interest: 22 years after the first Yamamoto film documentary “A Notebook on Clothes and Cities “ by director Wim Wenders, Stanley’s work confirms once again the Yamamoto for his work above all need one thing: peace. The work ethic Yamamoto is marked in typical Japanese style of austerity and discipline. Who the ability to silence and restraint has not ruled out-of-place in the cosmos Yamamoto quickly.


Royal Stiching

The Royal School of Needlework is an exciting forward-looking charity dedicated to teaching, practising and promoting the art of hand embroidery in the 21st century. I popped over this topic, by reading a little bit about  Catherine Middleton’s wedding dress.

The skilled embroiderers of England’s Royal School of Needlework (RSN) contributed their technical embroidery expertise to create the bespoke lace on the wedding dress, veil and shoes and enable Sarah Burton to achieve her artistic vision for the bride

saatchi gallery

Art that was “”headbuttingly impossible to ignore”" is how CHARLES SAATCHI describes the work that intrigued him as he started to collect British art in the early 1990s. Damien Hirst’s giant shark in formaldehyde, Tracey Emin‘s unmade bed and a chilling portrait of Myra Hindley by Marcus Harvey are among the artworks that have since become icons of the decade. The Saatchi Gallery, now in the former County Hall in London, is a permanent home for a changing selection of Saatchi’s world-famous collection. The Saatchi Gallery 100 is a fast-paced and fascinating film featuring one hundred of these artworks, accompanied by reflections and anecdotes from the artists themselves. Sarah Lucas‘ confrontational self-portraits are among the highlights, as are the bold paintings of Gary Hume, photographs by Richard Billingham, sculptures of genetically mutated children by Jake and Dinos Chapman, and many more. Like the collection itself, the film offers a unique understanding of why London has become the centre of the international art world over the past decade – and how art in Britain continues to surprise and challenge and delight.”